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Northern Ireland might not seem like an obvious refuge for Jewish people fleeing persecution in Europe.

Alice Berger Hammerschlag paints a line from Vienna to Belfast in the background. In the foreground, a smaller figure walks with a portfolio; around her is a violin, a Star of David, and Belfast landmarks.

But, partly because of its textile industry, it became home to many Jewish refugees during the Second World War.

Alice Berger was one of those refugees.

In 1938 when the Nazis invaded Austria, Alice fled Vienna on a rare visa issued by the British Government for skilled workers.

A photograph of Alice Berger Hammschlag, taken when she was perhaps in her twenties.

As a child, Alice had attended art classes with an innovative and inspiring teacher, and she chose to go on to art school. It was this training that allowed her, at 21, to get a visa as a graphic designer.

Others were not so lucky.

Jewish Austrians trying to reach Palestine were turned back at Italian ports and hopes of escape faded as country after country closed their borders.

Without an exit permit or the ability to pay ‘exit taxes’, Austria became a prison. Some children escaped through the Kindertransport, though many did not see their families again.

The Northern Ireland government was keen to take in people with the skills to develop its textile industry. This allowed Heinz Hammerschlag, another Jewish refugee, to come to Northern Ireland in 1939.

Anti-German propaganda written in Czech. It encourages Czechoslovakians to stand against German rule, while praising the Czechoslovakian government and encouraging the reader to think well of Britain and France, as allies.

Propaganda airdropped over Czechoslovakia encouraging resistance

Heinz left Czechoslovakia only days before the German occupation, leaving behind his wife, parents and younger brother. With other Jewish people they were herded into the ghetto of Theresienstadt.

Theresienstadt also functioned as a transit camp, with most of its inmates ending up in the death camp at Auschwitz-Birkenau. Heinz’s parents survived the war. His wife and brother did not.

After the war, Heinz heard that his brother had been murdered by the SS just before liberation.

A man with glasses and a tie poses for a photograph. The photograph itself is old, and somewhat washed out.

Jiří ‘George’ Hammerschlag, Heinz’s brother

The 200,000 Jewish people of Austria suffered similarly. By August 1945 fewer than 5,000 remained, and war had devastated the city Alice left behind.

A newspaper article reads: 'CONTROL OF VIENNA. First British Troops in the City. VIENNA, Thursday - Advanced British troops trying to install themselves in the roofless, window-less houses of Vienna find it difficult to believe that the city was ever beautiful. The streets are piled high with rubble.'

Belfast Newsletter, August 1945

An abstract painting: on a black background, the colours of a rainbow - purple, blue, green, yellow, and red - and used to depict what seems to be a firework going off in a joyful explosion.

Alice exhibited in group and solo shows; illustrated children’s books; set up children’s art classes with Neil Shawcross; and designed stage sets for the Lyric Theatre where her friend and fellow Holocaust survivor, Helen Lewis, was the choreographer. 

Helen Lewis discusses how she met her future husband in Northern Ireland after the war

Alice died in 1969, and as she had always been generous in encouraging young artists, Heinz sold some of her paintings to set up a fund in her memory. 

An abstract painting: a deep blue canvas is split in two by a red ribbon stretching from left to right. Within the red is a blue ribbon that also stretches from left to right.
Opposing Rhythms Subsiding, Alice Berger Hammerschlag

The Alice Berger Hammerschlag Award is still supporting artists in their adopted country today.